KQED Profile: Janice Garrett

Since its founding in 2001, the San Francisco-based Janice Garrett and Dancers has rapidly become one of the most respected small modern dance troupes in the Bay Area. Much of its success derives from the lively, athletic dances of Garrett herself, whose choreography is notable for as much for its craftsmanship as for its dazzling speed, musical clarity and wit.

Garrett came to dance relatively late, at the age of 23, after she had already graduated with a B.S. in mathematics from Stanford. She subsequently studied dance at Mills College, and in 1980 moved to New York. It was there that she would join the modern dance company of Dan Wagoner, an alumnus of the Martha Graham, Merce Cunningham and Paul Taylor companies.

After ten years in New York, Garrett returned to the Bay Area, although she continued to work extensively in Europe, choreographing pieces for the Scottish Dance Theatre, London Contemporary's 4D Performance Group, London Contemporary Dance School and at the School for Modern Dance in Denmark. At the London Contemporary Dance Theater, she collaborated with British director and choreographer Jonathan Lunn on a range of productions and built a reputation for whimsical, kinetic dances.

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Dance Review: West Wave Dance Festival

There are those who think of San Francisco's four week, eight program West Wave Dance Festival as a marathon, but I prefer to consider it an investment in the future. It's true that with works by 48 different choreographers -- and not all of it good -- it can seem like a bit of a slog. And I must confess that amongst the 24 that I saw at the Project Artaud Theatre, the dances ranged from seriously absorbing, to "Are you kidding me?" Still, West Wave's summer festival represents a bargain of a chance to sample a broad variety. If you tried to see all these dance-makers in their individual shows during the year you'd have -- well, you'd have a fulltime job as a dance critic.

In this year's lineup, many of the choreographers were new-ish to the San Francisco scene -- many of them look fresh out of college, and so do their dances. (I hope they still teach form and structure of choreography in school -- it wasn't always apparent.) But the festival also intersperses works -- often in progress -- from more experienced hands, and hopefully the opportunity to cross-pollinate and watch other work will be an education in and of itself.

Read more on KQED.org's Art & Culture site.

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